I've been excited for Lincoln Hall to open it's doors since I first heard about the venue all the way back in June. It is, after all, presented to you by the same folks that own and operate one of my favorite venues in the country, Schubas and the things that make Schubas special are all present at Lincoln Hall- The relaxed hipness of the restaurant and bar, the genuine niceness of the staff, and amazing sound quality in the concert hall itself. When I say that Lincoln Hall just might be my favorite venue, I mean that. Atmosphere is everything and Lincoln Hall has just the perfect amount of it.
A friend of mine who was in attendance and did get to see the fellows Dawes earlier in the month told me to prepare to be blown away by the band and sure enough, Dawes stole the show. I'm no stranger to Dawes' music. In fact, their debut album is a serious contender for my favorite album of the year. I expected it to be good, I expected it to be great, but I didn't expect to stand in Lincoln Hall with my mouth agape in disbelief at just how phenomenal the band was.
Dawes was a tough act to follow but Langhorne Slim didn't disappoint. Sean Scolnick (better known as Slim himself) was genuinely happy to be playing the 3rd show ever at Lincoln Hall and proclaimed his feelings towards the venue on quite a few occasions. Slim's only complaint was that the place was too clean and requested that the audience dirty it up- Only figuratively of course. He promptly explained that he wasn't encouraging anyone to litter. Busting out a solid mix of songs off his latest effort, Be Set Free, and older tracks, going so far back as "Electric Love Letter", Slim and his band had an infectious energy. Sean climbed a speaker, he jumped into the audience, he passed around the microphone and he brought half a dozen ladies up on stage with him.
The upbeat numbers were a definite highlight of the set but what stole the show, for me, was a gorgous, slowed down rendition of "Restless", performed by Sean after his band had left the stage.
I've heard "Restless" upwards of a hundred times. Heck, I have somewhere around 5 versions of it in my iTunes library. But even so, the song still holds it's own, even when stacked up against the catchiest songs off Be Set Free and the stellar set that Dawes delivered.
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